Friday I went with A Georgia Peach to the Centraal Museum to see the new Bloemaert exhibit, and along the way got to see a few other exhibits and pieces that I didn’t realize were already on display. One of the exhibits was this collection of 100 photos of a woman wearing variations on the hoofddoek (headscarf), a topic of interest in the Netherlands — and other countries — as the discussion of Muslim identity and integration rages on. One of the elements of this exhibit was to show that the headscarf is usually worn by choice, and worn at a later age than people often think. The exhibit aims to educate and present thoughts on it by the women who wear the headscarf.
The main woman in the exhibit is Boutaïna Azzabi, born in 1984. She lives in Doha, Qatar, and Veghel, Netherlands (where she was born). She studies communications here in Utrecht, and works as a social media analyst for Al Jazeera. She eats halal kroket and Verkade cookies. She has a passion for travel and investigative journalism; listens to Adele; and finds the headscarf indispensable. The variety of scarves is beautiful, as are the different faces she makes in the photos. I think my favorite is the cheeky wink.
Along with the photos, there are quotes from Azzabi on the walls. The one seen here says that there is the perception that women who wear the headscarf are suppressed. “Nonsense,” is Azzabi’s response, as she goes on to say that her mother is the real boss of the house.
Regardless of your personal choice and opinion on the issue, it is a nice exhibit to raise awareness and help people be a bit more informed when discussing the topic. For me, the headscarves are still something that I notice, simply because I rarely saw in the US. Yet more and more, they are becoming part of the general scenery as I become used to seeing them here. Certainly, the young girls I see wearing them — girls who look trendy and are outgoing and behaving exactly as teenage girls always do — enforce this idea that the headscarf itself is no big deal.