A few months ago, while looking through Pinterest, I saw a fantastic graphic-style print of Utrecht that I fell in love with instantly. Besides the style of it, I loved the different aspects of the city that were represented. Sadly, when I clicked through, trying to find any information about the artist or where I could buy a copy of it, I came up blank.
Imagine my thrill when I was walking down Domstraat recently, admiring the artwork on display in the windows of Catch, a local art store, and suddenly there it was, the print I had been searching for! The store was closed at the time, but I went in last week to enquire about the print. Pondering a bit more, I ended up going back yesterday and bought it. It’s the large print on the right, in case you hadn’t figured that out. It’s signed and numbered, even! The artist is Utrecht-based Jochem Coenen, and I absolutely love his style that seems to combine traditional and modern illustration so beautifully.
As well as buying the print, I also picked up some frames for some modern and antique prints I’ve been collecting. One is a print from 1857 of one of the early incarnations of the Paushuize. I’ve been writing a lot about the Paushuize recently for various websites and publications, so when I came across the print, I couldn’t resist. The pen and ink drawing of the Domtoren and Oudegracht is one that I picked up recently from another local artist, Ellessi, and the final print is another antique print of Utrecht depicting the bend in the Oudegracht in front of the Stadhuis.
It’s a spot that is still recognizable, although much of it has changed in the past two hundred years or so, well, except for the Domtoren, of course. The Stadhuis (white buildings, center left) was rebuilt in a neo-Classic style around 1830. The crane on the left was originally built in 1402, although it underwent various updates and rebuilds until it finally gave up the ghost in 1837, while trying to unload the large caryatids that form the columns of the Winkel van Sinkel.
I recently came across a painting of roughly the same spot as my print by an Utrecht artist, Georg-Gillis van Haanen (1807-1879).
Nowadays, although many of the buildings have changed, that curve of the old canal, with the Domtoren rising up above the city, remains instantly recognizable. I’m sure even the artists of these images would soon feel at home.