You’ve got to love an art installation that calls to mind both the Sex Pistols and medieval architecture. The installation titled Pretty Vacant, by Amsterdam-based Rietveld Landscape, was in one of the chapels at the Centraal Museum. However, because I am woefully behind on this blog post, the exhibit is no longer there. I won’t tell you how far behind I am on it. I am the queen of procrastination.
The blue foam is actually the remnants from another work that the group did for the 2010 Venice architecture bienale. That was an exploration of the amount of available space within the Netherlands. With the Pretty Vacant installation, the way it is placed within the chapel, it becomes self-referential to the medieval windows within the chapel, with the shapes calling to mind stained glass patterns.The city shapes combine to both obscure the view, as well as create a new, alternative view of the Dutch landscape.
The structure makes use of both positive and negative space to block light and filter it, creating an atmospheric setting within the former chapel. The chapel itself is divided into two levels. The installation begins on the second level and rises to the top, however it can also be viewed towering over anyone standing below on the lower level.
I saw it from different levels on different visits. The first visit was when I saw it from the ground level. Around a year later, I saw it again from the upper level. The ground level is almost overwhelming with the height and solidity of the wall of blue. On the upper level, I found it more peaceful and contemplative, particularly with the light coming through the chapel’s side windows. The upper level was vacant except for the blue foam, allowing visitors to sit or stand and contemplate the piece with out any other real distractions. I’m glad I managed to stumble across that level and experience the work for myself.
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